THE TIP OF THE ICEBERG IS ACTUALLY AT THE BOTTOM

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36x24 Acrylic on canvas

This piece examines the quiet tension between what is visible and what remains buried. With a stark contrast between light and dark, it flips the conventional understanding of surface and depth—inviting us to question our assumptions about what lies beneath. Sparse, deliberate marks float in a vast, restrained space, suggesting that the real weight of things often exists out of view. I invite you to consider how much of what defines us—our truths, our traumas, our essence—rests not on the surface, but below it, unseen and yet powerfully present.

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36x24 Acrylic on canvas

This piece examines the quiet tension between what is visible and what remains buried. With a stark contrast between light and dark, it flips the conventional understanding of surface and depth—inviting us to question our assumptions about what lies beneath. Sparse, deliberate marks float in a vast, restrained space, suggesting that the real weight of things often exists out of view. I invite you to consider how much of what defines us—our truths, our traumas, our essence—rests not on the surface, but below it, unseen and yet powerfully present.

36x24 Acrylic on canvas

This piece examines the quiet tension between what is visible and what remains buried. With a stark contrast between light and dark, it flips the conventional understanding of surface and depth—inviting us to question our assumptions about what lies beneath. Sparse, deliberate marks float in a vast, restrained space, suggesting that the real weight of things often exists out of view. I invite you to consider how much of what defines us—our truths, our traumas, our essence—rests not on the surface, but below it, unseen and yet powerfully present.